A free night from The Crooked Carnival

Mister Sawdust Is Missing

An hour before the gates open on Sorrowby Heath, Pip Latch’s wooden partner has vanished from his crate. Seven people have nobody to vouch for them. Seven puzzles test their alibis, and exactly one alibi fails.

The evening and its puzzles are new, made for this page in the style of the book, and nothing in them spoils it. Play on screen, or print them and grab a pencil.

  • Medium ×2
  • Hard ×3
  • Fiendish ×2
Mister Sawdust, a grinning wooden dummy with a monocle and a velvet jacket, sitting on his crate on a foggy heath beside a lantern, the Great Wheel and the carnival tents behind him
Mister Sawdust on his crate, from the cover of The Crooked Carnival
Pip Latch, the ventriloquist, a slight man with a neat mustache, his arm round Mister Sawdust
Pip Latch and Mister Sawdust. Two heads, one opinion.

Before the first night

The crate is empty

Doctor Lazarus Mourne’s Crooked Carnival travels only in fog. This evening it has pitched its leaning big top on Sorrowby Heath, and this afternoon the Doctor hired you: the Remarkable Nobody, a stage mind-reader with no powers at all, only sharp eyes and cold logic. The gates open at eight.

At ten past seven Pip Latch, the ventriloquist, finds you in your booth on the Midway, the color of candle wax. “He’s gone,” he whispers. “Mister Sawdust. Somebody has taken him out of his crate. You read minds. Read somebody’s.”

Mister Sawdust has insulted every soul on the grounds, so everybody has a reason. Seven of them have nobody to vouch for them.

  • Seven puzzlesFrom Medium to Fiendish, in the book’s own kinds: the barker’s patter-book, a coconut shy, a knife board, the Great Wheel, a tarot cipher, the Hall of Mirrors and the chalk ring.
  • One alibi eachEvery puzzle tests one person’s alibi, the way every night in the book does. Exactly one alibi fails.
  • The ReckoningWhen the evidence is in, say whose alibi fails and where Mister Sawdust is now.
  • Stuck?Every puzzle has hints, and you can show its answer. Your progress is kept on this device.

The missing

Mister Sawdust

A wooden gentleman with a monocle, a painted grin and a velvet jacket, ruder than Pip would ever dare to be. Last seen in his crate on the step of Pip’s wagon, in the Wagon Circle.

The window

At ten to seven the Lord Mayor, touring the grounds before his opening speech, stopped at Pip’s wagon to admire Mister Sawdust in his crate. He says the dummy gave him a look. At ten past seven Pip came back from rehearsal and found the crate empty.

So Mister Sawdust was taken between 6:50 and 7:10.

Also on the grounds

A one-eyed raven, who has been stealing spoons from the Cookhouse since the wagons arrived. He is not a suspect. He has no pockets.

Where everyone else was, from 6:50 to 7:10

  • The rest of the troupe rehearsed the Grand Parade in the ring from twenty to seven until ten past, in full view of one another and of the Doctor, who ran it: Pip (with a cushion), Barnaby, Ossian, Mathilde, Rosalind, Adaeze, the Cinder Brothers, the Tall Sisters, and Tobias at the calliope.
  • Gideon barked at the fog from the Gate all evening, beside the Hollow Man on his plinth.
  • Ines threw knives at her practice board all evening. The whole Midway heard them land.
  • Madame Vey read the cards for one customer in her tent, from a quarter to seven until a quarter past.
  • Crabbe, the wheelman, ran the Great Wheel’s test turn from the Wheel Hut, from ten to seven until ten past.
  • Old Silvering sat at the door of the Hall of Mirrors from half past six, when he had set its mirrors, until he let Emrys out at ten past seven.
  • You were in your booth on the Midway, practicing your mysterious look.

The Alibis

NettleTent-master · tested by puzzle 1“I was up a ladder on the Gate arch from twenty to seven till a quarter past, hanging the bulbs. Gideon tried his new patter on me the whole time. Something about ladies with fishes’ tails.”
Abel GrubbRoustabout · tested by puzzle 2“I was at Barnaby’s shy from a quarter to seven till a quarter past. He’d gone to rehearse, so it was free. I threw from the green spot, and I could see four coconuts the whole time. Never hit one.”
Mother HollisWardrobe mistress · tested by puzzle 3“I sat in Ines’s booth from half past six till a quarter past seven, letting out the seams of her bolero while she practiced. Ask her. She won’t say a word.”
Augustin WrenWire-walker · tested by puzzle 4“I rode the Great Wheel’s test turn, from ten to seven till ten past. In the gold car, naturally. One does not ride in any other.”
Mrs. Agatha GristleCook · tested by puzzle 5“I was having my fortune told in Madame Vey’s tent from a quarter to seven till a quarter past. She said I would come into money. I’m still waiting.”
Emrys HarrowClown · tested by puzzle 6“I was lost in the Hall of Mirrors from half past six until Old Silvering let me out at ten past seven. Just before seven I found the spyhole, and through it I could see the Cookhouse window, with somebody in it grinning at me. I thought it was my reflection, so I waved. It did not wave back.”
Amos GrubbRoustabout · tested by puzzle 7“I was at the horse lines from half past six till the gates opened, brushing down the horses. They’ll vouch for me.”

Barker’s Anagrams

Gideon’s Patter-Book

MediumAbout 10 minutes
Gideon Crowl, the barker, in a checked waistcoat and a straw boater, shouting through a brass speaking trumpet

Gideon Crowl, barker and printer, never writes a line of patter down plainly: rival barkers would steal it. His patter-book lies open on the ticket wagon at tonight’s page, headed NEW PATTER, TRIED AT THE GATE FROM TWENTY TO SEVEN.

This tests Nettle’s alibi. “I was up a ladder on the Gate arch from twenty to seven till a quarter past, hanging the bulbs. Gideon tried his new patter on me the whole time. Something about ladies with fishes’ tails.”

How it works. Unscramble each word. The line of patter beside it is its clue, and the boxes give its length. Keep the letter in the shaded box, and read the kept letters down the page.

New patter, tried at the Gate from twenty to seven

    Kept letters:

    Coconut Shy

    Back Soon. Fired.

    MediumAbout 15 minutes
    Barnaby Bolt, the human cannonball, grinning in a leather helmet with goggles, a cannon on his shoulder

    Barnaby Bolt, the human cannonball, set fresh posts in his coconut shy at twenty to seven, hung up a sign that says BACK SOON. FIRED., and went to rehearse. The numbers he chalks round the edge of the yard are all you have to go on.

    This tests Abel Grubb’s alibi. “I was at Barnaby’s shy from a quarter to seven till a quarter past. He’d gone to rehearse, so it was free. I threw from the green spot, and I could see four coconuts the whole time. Never hit one.”

    How it works. Every row and every column of the shy holds one post of each height, 1 to 5, with a coconut on top. A taller post hides every shorter one behind it. A number at the edge says how many coconuts a thrower standing there can see, looking straight along the row or column. The green spot has no number. Tap a square to set its post (or type a number).

    Tap a square to cycle its post through 1 to 5, or type the number.

    Knife Board

    Ines Answers with Knives

    HardAbout 20 minutes
    Ines Montaño, the knife-thrower, tall and straight, a fan of knives in one hand

    Ines Montaño does not speak before a show. You ask her what Mother Hollis was doing in her booth, and she throws her answer into the lettered board: seven knives, one after another. Then she pulls every one of them out before you can look.

    This tests Mother Hollis’s alibi. “I sat in Ines’s booth from half past six till a quarter past seven, letting out the seams of her bolero while she practiced. Ask her. She won’t say a word.”

    How it works. One knife struck every row, every column and every painted panel, and no two knives touch, not even at a corner. Work out where they struck: the struck letters, read row by row from the top, spell her answer. Tap a square once for a knife and again to rule it out.

    Struck letters:

    Wheel Seating

    The Test Turn

    HardAbout 20 minutes
    The Great Wheel in the fog, its cars hanging from the rim, the Wheel Hut at its foot and the steam calliope beside it

    Before the gates open, Crabbe the wheelman runs one long turn of the Great Wheel to test it, with Augustin Wren and five people from the front of the queue. A long turn takes twenty minutes, and nobody gets off halfway. Crabbe cannot remember who sat where, but he remembers what each of them was holding, because he had to catch most of it.

    This tests Augustin Wren’s alibi. “I rode the Great Wheel’s test turn, from ten to seven till ten past. In the gold car, naturally. One does not ride in any other.”

    How it works. The six cars are numbered 1 to 6 clockwise, starting from the gold car. One rider to a car, and each rider held one of the six things. Car 1 is next to cars 2 and 6, and directly across from car 4. Tap a square once for ✕ and twice for ✓.
    The six cars, numbered clockwise from the gold car, and what is painted on each.

    What Crabbe remembers (tap a line to tick it off)

    1. The rider with the bunch of violets rode two cars clockwise from the rider with the tin whistle.
    2. The Widow Pennyworth rode in an even-numbered car.
    3. The rider with the ball of red wool and Prudence Coffinwright were exactly two cars apart.
    4. The Widow Pennyworth and Prudence Coffinwright rode in neighboring cars.
    5. Mr. Ashby rode in the next car clockwise after the rider with the bag of humbugs.
    6. Josiah Coffinwright and the rider with the bunch of violets did not ride in neighboring cars.
    7. Josiah Coffinwright was holding the bag of humbugs.
    8. Mr. Ashby rode two cars clockwise from the rider with the ball of red wool.
    9. The rider with the black umbrella and Josiah Coffinwright did not ride in neighboring cars.
    10. The rider with the baked potato rode in car 3.
    11. Dr. Dole rode in the next car clockwise after the rider with the black umbrella.

    Tarot Cipher

    Madame Vey’s Note

    HardAbout 20 minutes
    Madame Orsolya Vey, the fortune-teller, in shawls and a lace veil, a crystal on a chain at her throat

    Madame Vey writes every reading and every private note as a row of cards from her own deck, the Crooked Tarot. She is in the middle of a reading and will not be interrupted, so she slides you her note across the velvet. She keys her spread to a different trump every evening. Tonight, out of sympathy, she has chosen the trump of the act that is missing its better half.

    This tests Mrs. Agatha Gristle’s alibi. “I was having my fortune told in Madame Vey’s tent from a quarter to seven till a quarter past. She said I would come into money. I’m still waiting.”

    How it works. Build the Crooked Spread: write the keyword across the top, each letter only once, then the rest of the alphabet in order, row by row; the last two cells stay empty. Each suit card stands for the letter in its cell: suit for the row, rank for the column. A card lying upside down is reversed: read the cell one step to its left in the same row (an Ace wraps round to the Seven). A trump ends a word. The keyword is the name of the trump of the act that is missing its better half, without THE.
    The Crooked Tarot’s twenty-two trumps
    1. 0 The Nobody
    2. I The Barker
    3. II The Fortune-Teller
    4. III The Strongwoman
    5. IV The Ringmaster
    6. V The Hollow Man
    7. VI The Twins
    8. VII The Cannon
    9. VIII The Wire
    10. IX The Stilts
    11. X The Wheel
    12. XI The Knife
    13. XII The Chains
    14. XIII The Undertaker
    15. XIV The Calliope
    16. XV The Dummy
    17. XVI The Crooked Top
    18. XVII The Crooked Star
    19. XVIII The Moon
    20. XIX The Juggler
    21. XX The Clown
    22. XXI The Fog

    Madame Vey’s note, laid out on her velvet

    Hall of Mirrors

    The Hall of a Hundred Doubts

    FiendishAbout 25 minutes
    Emrys Harrow, the clown, long and droopy, in a ruff and a tiny hat, holding a wilting paper flower

    Old Silvering sets the Hall’s pivot mirrors fresh at every new pitch and tells nobody how. “A hall with no doubts is only a corridor.” He will tell you which doorways see each other, and how many mirrors some sightlines bounce off. The spyhole is on the west wall, where Emrys says he found it.

    This tests Emrys Harrow’s alibi. “I was lost in the Hall of Mirrors from half past six until Old Silvering let me out at ten past seven. Just before seven I found the spyhole, and through it I could see the Cookhouse window, with somebody in it grinning at me. I thought it was my reflection, so I waved. It did not wave back.”

    How it works. A sightline runs straight until it meets a mirror, turns a right angle there and runs on until it leaves the Hall. The drawn mirrors are fixed. Each round pivot can be set either way: tap it to set it. Two doorways with the same letter see each other; a number says how many mirrors the sightline entering there bounces off. Set every pivot so that every letter and number is true, then follow the sightline from the spyhole.

    Tap a round pivot to turn it. Tap any letter, number or name round the walls to follow its sightline.

    The Chalk Ring

    Five Stones

    FiendishAbout 25 minutes

    Carnival people settle an argument the old way. You chalk a ring on the Midway, and five of the crew draw stones from the leather bag before they step inside to say where Amos Grubb was: a white stone makes a Straight, a black stone a Crook and a gray stone a Patterer. Nobody else sees the stones.

    This tests Amos Grubb’s alibi. “I was at the horse lines from half past six till the gates opened, brushing down the horses. They’ll vouch for me.”

    How it works. Inside the chalk ring a Straight says only true things, a Crook only false things, and a Patterer’s statements take turns, true and false, starting with either. “…, or …, or both” is true when at least one part is true. “If …, then …” is false only when the first part is true and the second false. “Us” means the five in the ring. Amos was in one of four places all through the window: at the horse lines, in the Wagon Circle, in the Ladder Yard or on the Midway.

    The question. Who drew which stone, and where was Amos Grubb all through the window? Mark every speaker’s stone above, then choose the place.

    Close the night

    The Reckoning

    The Remarkable Nobody, seen from behind in a spotlight, a question mark on the back of the collar

    It is half past seven, and Pip is watching you the way a man watches a clock. Here is every alibi, and what the evidence says about it. On every night in the book, exactly one alibi fails. Tonight, too.

    1. Nettle says Gideon’s patter was about ladies with fishes’ tails. Not tested yet.
    2. Abel Grubb says he could see four coconuts from the green spot. Not tested yet.
    3. Mother Hollis says she was letting out Ines’s bolero in her booth. Not tested yet.
    4. Augustin Wren says he rode the test turn in the gold car. Not tested yet.
    5. Mrs. Agatha Gristle says Madame Vey was telling her fortune. Not tested yet.
    6. Emrys Harrow says the spyhole looked out on the Cookhouse window. Not tested yet.
    7. Amos Grubb says he was at the horse lines. Not tested yet.

    The question. Only one alibi fails. Whose? And where is Mister Sawdust now?

    Owlbrook Grim Tales · Book Two

    The Crooked Carnival

    Every night the carnival performs. Every night one performer doesn’t take a bow.

    That was one evening, before the gates opened. The book has nine nights on Sorrowby Heath, and on each of them a performer dies during the Grand Finale. Each night is a chain of five puzzles that tests five alibis, and the Reckoning shows you whose fails. After the ninth night comes the Last Bow: five final puzzles and your Accusation. Ten kinds of puzzle under the big top: knife boards, tarot ciphers, the chalk ring, running orders, alibi timelines, Great Wheel seating, the Hall of Mirrors, barker’s anagrams, coconut shies and midway plans. 50 puzzles, rising from medium to fiendish, every one checked by computer to have exactly one solution, with a hint and an answer check for each and full solutions.

    Reading it on Kindle? The Solver’s Pack has every worksheet ready to print. More gothic mysteries in Owlbrook Grim Tales.

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